Dear TV show watching Internet users and friends, here is an unsolicited lengthy explanation of why you will enjoy season 3 of Walking Dead (October 2012). Since I was once professionally a movie critic (OC Register Teen Panel - deal with it) my opinions are at least 92% factually awesome and inspire fireside chats. First, go watch all of The Walking Dead so when I spoil bits below you won’t cry into a pillow (Season 1 on Netflix, and season 2 is on your favorite torrenting app). Do expect me to wander off into a tangent at some point.
All the chatter I’ve been seeing and hearing since the season 2 finale last Sunday has been about how bad the writing of the show has been, and how all the characters are dumb and unbelievable. I’m going to argue that everyone is right, but have to stop thinking that way for the sake of the show. HEED THIS MESSAGE: Season 3 is going to be worthy of being in the same series as the pilot episode I have previously deemed the best pilot of any TV show ever! Here’s the timeline that had to happen to lead up to it.
The first season of the Walking Dead was chaotic. It started off - epic. While the first episode was tied very closely to the comic, the rest steered away toward in a strongly overdone and hamfisted direction. Not that anybody truly cared about the show keeping loyalty to the comic. Nor should any viewer have to read the comic to enjoy the show. Seriously, the comic is pretty shitty. A lot of the scenarios and actions are clever and intriguing, but the creator Robert Kirkman doesn’t seem to know how human beings talk to each other, especially, females. In fact, the reason so many of the women on the show seem utterly useless or annoying is only proving that a direct copy of the comic is a bad thing. That is, because in the comic women have lines like “I’ll fuck you.” Thankfully, the same scene in the TV version was changed to “I’ll have sex with you”. Now that’s something a woman would say (to me, like all the time, it gets so annoying it happens so much). As I read the comics, I couldn’t help but think of all the stereotypes of nerds and women and how this writer is clearly leading the pack. There was a lot of sick, gory, clever violence and almost no hint of how human beings actually behave. That [low] quality of writing has carried over to the show.
My problem with the direction of the first season was where they steered to wasn’t a terribly interesting direction. The zombie organ encrusted escape from the storeroom, Merle hijinx, and camp attack were fun and had some zombie filled action that seemed perfectly capable of following a linear storyline that made sense. Even the ughworthy Vatos episode was somewhat descriptive of what effects come from a newly zombie filled world. But the show couldn’t quite figure out what it wanted to do to last more than 6 episodes. Ultimately, you have to blame budgets and panicked AMC financiers who didn’t have any faith. Frank Darabont, the showrunner at the time, was fully capable of getting the 6 episodes out there, but the economics of Hollywood forced its hand, thus the show came to a screeching halt after visiting the CDC and it exploding with no indication of what our survivors were going to do next.
Season 2 was sold, but several sources indicate they suffered serious budget restrictions. Since the first half of the 12 episode season involved the entirely lengthy and ultimately pointless search for the girl Sophia, a character that practically didn’t exist in Season 1, it’s safe to say this show needs a budget. Well, you can tell it went to special effects because those were spectacular and have raised the bar for future shows of the zombie genre. Surely the writing suffered because they had to do what most TV shows do in this financial situation, they cut corners and keep location costs to a minimum. Most people would argue they could have encapsulated all of the Sophia searching to one episode, so maybe one solution for this show is sticking to 6 episodes a season? Unfortunately, the best part of this show is fully exploring what life is like after the zombie apocalypse. Can that be done in fewer episodes?
I’m not going to offer any more solutions, because the point of this post was to explain how things are back on track. Darabont wrote the pilot by himself. This show’s success and existence can be solely attributed to that. However, since then he only had partial credit on a few more episodes and was eventually entirely removed from having a major influence on the show. Season 2 actually brought with it rumors about Darabont firing the entire writing staff. Turns out that was only a rumor because the writers for the show have been pretty consistent. The one notable difference is the lack of Darabont and the heavier influence of executive producer Glen Mazzara. It doesn’t take much investigation to determine that the last few episodes in season 2, otherwise known as “the good ones” have been entirely Mazzara’s product.
The last 3 or 4 episodes of Season 2 clearly demonstrated that to bring the show back to being enjoyable involved getting the hell out of the farm location the show was stuck in. Again, I want to point at budget. Producers deal with costs, and apparently Mazzara can get a lot more out of money than Darabont. Everyone wants to point fingers at the writers for the lacking character development, terrible dialogue, and clumsy pacing. Yes, these are all something you should attribute to being a writer’s responsibility. However, in these leaner times where cheaper cookie cutter reality shows reign supreme, scripted television is evolving into a weird amalgamation of the show’s talent versus the studio and television channel that benefit solely from having the show on in the first place.
Put another way, TV keeps hitting itself. In the face, with a wet dildo. Part of the reason I treasure a show like the Walking Dead is because I fear for the future of television entertainment being nothing but food preparation, retail store negotiations, and British people yelling at things. All three things I have absolutely no desire to be entertained by. Sorry British food preparers, I just don’t like you. What I don’t understand is how television, cable companies, media device producers, internet streaming services, etc. - all somewhat owned by the same gigantic conglomerates - expect this pattern to sustain. If they would just invest more into these series, people will continue to consume media content. Give this show a fucking budget! The Season 2 finale had 9 million viewers, in all the right demographics, and that compares to network standards.
Since taking over, Mazzara has cleverly eluded to closure on many of the things that Walking Dead was suffering from. Not only does he kill off a major character Dale (a good real life friend of Darabont, ouch) but the character Shane is also whacked. In the comic, Shane was killed earlier in the timeline, actually. On the show, Shane was playing an important dramatic role. But, since the actor was getting a lead on another show Darabont was involved in, looks like his former job is now accepting applications. Some more visual closure to represent the show’s new direction includes a long winding panning shot of the message for Sophia on a car windshield. Faded soap and finally a faded memory of the first half of season two. Mazzara also literally burned the barn on fire. This barn represented the farm, and if you watch season 2, you will keep saying, out loud, WHY ARE WE STILL ON THIS FARM?! The goddamn farm. If you don’t know, the comic didn’t spend nearly as much time on the farm, because it journeyed onto the prison. As Season 2 ended, we pan to the prison in the dim background. In the comic, the prison represents some of the zombie apocalypse survival we’ve been missing from the show. Fans of the show and comic both wanted off the goddamn farm. So, it’s no surprise to me that Mazzara chose to end on that note.
Also, you may have noticed a cloaked katana wielding heroine with two armless zombies attached to chains (if you didn’t notice, please see an optometrist immediately). This character is straight from the comic, and may have been a little jarring to see. Readers of the comic know and mostly love her, because she is one of the few characters that seems to have adapted quite well to survival in the wild, and actually seems to take steps to survive. However, the pacing and tone of the show hasn’t quite prepared the non-comic reading viewers for something that could easily exists in this new world. Therefore, her appearance seems totally out of place. But, oh so necessary. And, Mazzara knows this. Season finales are designed to wrap up the season storylines, and hint at things to come. If you stand back and look at the season finale, it is very clearly half zombie action, then half this is the show now, deal with it. I respect the bold and embarrassingly public turn of events the show had to take in order to get the show going in the right direction finally.
Steering of this magnitude would only compare to what the captain of the Titanic was attempting after smacking into an iceburg. Unlike the Titanic, I expect viewers of the show are going to keep the show afloat and arrive at their destination as if they were treated to first class luxury. That analogy may be a stretch, but I’m realizing I’m actually looking forward to the Titanic being released in 3D. Especially, since it gives me something to think about until season 3 of the Walking Dead, the best season, begins in October. Also, do you think Kate Winslet’s boobs will be in 3D? They’d have to be, right? You know that when you’re standing in line in April, you’ll be thinking (and hoping for) the same thing. Perv. (High five!)

